marysutherland: (Default)
BBC Sherlock

Rating 12 (non-explicit femslash)

Summary: There seems to be some confusion about Lady Smallwood's full name


“I should probably explain my rules-“

“Shouldn’t we introduce ourselves properly first? I do know who you really are, Mrs Norton and I presume you’ve identified me.”

“Of course, Lady Smallwood. Or would you prefer Elizabeth, since this is an intimate session?”

“Alicia, please. I use my middle name nowadays. After far too many years of ‘Elizabeth’ or sometimes even, God help us, ‘Lizzie’. My fault, I suppose, getting born in 1952.”

“But you still used the name?”

“George liked it, and so did the constituents, unfortunately. But George is gone, so I can put an end to ‘Lady Elizabeth Smallwood’. And fortunately my mother also liked ballet.”

 “Hence Lady Alicia Smallwood?”

“Who is something of a merry widow, in a careful way. Well, after George’s disgrace, my escutcheon’s rather blotted already. These things rub off on you, as it were. But let me make myself clear, Irene. I am aware that reports of your death have been exaggerated, but I believe some of my colleagues are not. I presume you’d like to keep it that way? So please don’t do anything rash."

“Mutually assured destruction?” The Woman smiles.

“Followed by a little detente,” Alicia replies. “By the way I won a Commonwealth medal on the balance beam, and am still surprisingly flexible. So you can be imaginative with the bondage.”
marysutherland: (Anthea)
BBC Sherlock

Rating: 12 (non-explicit femslash)

Summary: The opera's over, but that's not the last of Renée Adler

Many thanks to Kalypso for betaing

Part 1

Anthea wakes in the middle of the night, because there’s someone in her room, standing right next to the bed. )
marysutherland: (Tanya Moodie)
BBC Sherlock

Rating: 12 (non-explicit femslash)

Summary: Anthea's trip to the opera brings some strange effects

Many thanks to Kalypso for betaing

Several months ago, fengirl made some requests for the Five Acts meme. She asked for sleep and bedding themes and her pairings included Anthea/Ella or Anthea/ACD!Irene. Inspired by her Sleeping Beauty sequence, this is the result.

It feels strange to Anthea, going to the opera without Ella, but Ella’s in London and she’s in New York, so going together isn’t a realistic option. )

Part 2
marysutherland: (Kate)

BBC Sherlock

Rating 15 (explicit femslash)

Summary: For how much longer can Kate and Irene keep going?

Thanks for betaing and plot advice to Kalypso_V

NOTE: This was written for Prompt 56 of the Sherlockmas Summer Vacay festival: "Irene/Kate; It's already a hot summer day, but Irene would like to make it even hotter." There is a second linked story that I will post tomorrow, but this fic is complete in itself.

Thursday 23rd June 2011

It's high summer in Karachi and wearyingly hot )
marysutherland: (Tanya Moodie)

BBC Sherlock/ACD Sherlock crossover

Rating 12 (implicit femslash and het)

Spoilers: for A Scandal in Belgravia

Summary: Anthea and Ella do a bit of literary detective work.

A couple of months ago, fengirl88 had a five acts meme asking for writing and Anthea/Ella or Anthea/ACD!Irene. That prompt somehow turned into this.

Many thanks to the Small Hobbit for betaing

"I found something curious on Ms Adler's phone, Anthea," Mycroft announces, and she freezes, wondering if any of her friends might have been involved with Irene. )

marysutherland: (Mark Gatiss)
BBC Sherlock

Rating: 12 (passing references to femslash and violence)

Spoilers: for Scandal in Belgravia

Summary: Mycroft and Irene have a little discussion after Sherlock has left.

Betaed by the extremely precise Kalypso_V

AZ to MH: Transcript as requested: one hard copy, no other files or tapes remaining. )

marysutherland: (Kate)
BBC Sherlock

Rating 15 (femslash, references to alcoholism)

Spoilers for A Scandal in Belgravia

Summary: Kate's with Clara now, but what about Irene?

Betaed by the wonderful blooms84

Part 1, Part 2, Part 3, Part 4.

It was fine when they were going home; Kate chatted casually about the job, and the books she'd read, and if Clara's share of the conversation weren't that coherent it didn't seem to matter. )
Part 6
marysutherland: (Mary Sutherland)
BBC Sherlock

Rating 15 (femslash, references to alcoholism)

Spoilers for A Scandal in Belgravia

Summary: Has Kate just been making a fool out of Clara?

Betaed by the wonderful blooms84

Part 1, Part 2, Part 3.

The bar Kate had given her directions to was surprisingly quiet when Clara went in, but one look at the prices explained that. And then Kate materialised beside her, looking like someone who belonged there, and said: "They do amazing cherry vodka here, but there are soft drinks if you prefer."

Clara hadn't drunk much of her champagne. She had the sudden urge to get completely hammered, because it didn't matter anymore. She didn't have to set a good example to Harry, did she? And she didn't care what Kate thought about her.

"Cherry vodka it is," she said, "if you're paying. A double." She found a table by the window and watched as Kate brought the glasses over, with an air of concentration that suggested she was more nervous than she'd first appeared.

"Your boss didn't object to you leaving the viewing early?" Clara said, as Kate sat down, and then remembered that she wasn't supposed to be being sympathetic.

"I said you weren't feeling well, and I needed to take you home," Kate replied. "Well the first bit was almost true. I didn' came out all wrong."

Clara drank down her vodka. The sharpness of it set her teeth on edge, but it did slip down easily. Give me some Dutch courage, she thought.

"You should have told me about D'Annunzio," she announced. "If you can't trust me–"

"I was going to, really I was," Kate said, staring miserably down at her shot glass. "But when you arrived, you looked pleased to see me. As if you wanted to be there. Be with me. And I didn't want to remind you that I used to work in the sex trade."

"I don't–"

"If it hadn't been Paul, it would have been someone else. There are hundreds of men, out there, thousands, who were Irene's clients. Many more who would have liked to be. I can't get away from her."

"Do you want to?" That was the heart of the matter, Clara thought. She didn't want anything to do with Irene's brand of manipulation, desire as a weapon.

"Yes," Kate said and then added abruptly: "I don't like the person she made me into. No, the person I made myself into to please her."

"What do you mean?" Clara asked softly, feeling her anger seep away at the misery in Kate's expressive grey eyes. Kate was hurting already, and Clara had a sudden urge to hold her, to kiss her and make it all better. No, she told herself firmly, that's not going to help. "What happened with Irene?"

"I did whatever she wanted, and I didn't ask awkward questions, and I didn't stand up to her."

"You can' can't be easy standing up to a professional dominatrix," Clara said. Hard enough with anyone you loved.

"The thing is, I thought no-one was getting hurt," Kate said, and then she looked up and giggled slightly shakily at Clara. "I know that sounds funny, given the whips, but the clients wanted that, and Irene was always careful. And the insider trading and even the espionage, it was all just a game. Pushing e-mails and pieces of paper around. It didn't seem real."

"When did you realise there was something more?" How much had Kate been concealing at their first meeting? Clara wasn't sure how many more secrets she could cope with.

"When Irene disappeared, I wondered if Jim Moriarty had had something to do with it," Kate replied. "The 'consulting criminal' she'd been involved with. He'd have the contacts for that sort of thing. So I was trying to get hold of him, but nobody seemed to know anything. And Irene hadn't taken me along the one time they'd met in person, so I didn't even know who I was looking for."

"So have you tracked him down now?"

"No," Kate said shakily, "And I'm not going to try. After you told me about the job at the art gallery, I talked to an expert on paintings who Irene had...known."

She paused and Clara tried very hard not to imagine Brian Sewell or Andrew Graham-Dixon being tied up and scolded. It was worrying how easily you could start to believe that any man you'd heard of might be one of Irene's former clients.

"We had a long talk," Kate went on, "and he happened to mention something about fake Dali prints. So I asked him if he'd ever come across Moriarty. He went white and he said that he'd been rumoured to be behind a Vermeer that turned up in London the previous year, but that no-one wanted to ask questions because someone had got killed."

"That was the scandal at the Hickman gallery, wasn't it, where we were tonight?"

"Yes," Kate said. "I couldn't find anything useful in the papers, but I know this policeman..." She ground to a halt and gazed out into the darkness of the street.

"Another client of Irene's?" Clara said, as calmly as she could. If she was going to get anywhere with Kate, she had to learn to cope with this.

Kate nodded. "I asked him about the Vermeer and he said that a gallery attendant had been killed by a professional hitman to stop him revealing the fake. And that there were a whole string of other crimes at the same time believed to be organised by one man, including several other murders."

"And you think that might have been Moriarty?"

"Yes. I don't...I don't know how much Irene knew about him. But there was a dead body that wasn't hers, and he's a murderer, and I don't know what else he's done." There was something near panic in those clear grey eyes. "If I'd asked for details at the time... If I'd told her not to get involved with him..."

"Would she have listened?"

"No," Kate said sadly, and took a sip of her vodka, and added: "But I should still have tried."

What can you say to that? It was tempting to tell Kate she should have never have got involved with Irene, that she should have seen this coming. But it was a long way even from sex games with a princess to calling on the services of a murderer. Had Irene got herself into something she couldn't handle, as well?

Kate was still staring silently at her, and Clara firmly squashed any burgeoning feelings of sympathy towards Irene. It was one thing endangering herself, but Irene shouldn't have hurt Kate the way she had. Being left feeling guilty as well as bereft.

"Is there anything you do know?" she asked Kate. "Anything you can tell the police about Moriarty?"

"Nothing that will help them much," Kate said after a moment's thought. "Irene said he was young, good-looking, good taste in suits. Liked a laugh."

"Even that might help them a bit. You could pass on what you know anonymously via this policeman. It might make you feel better, if you'd done something to try and stop him." It was funny how she always ended up trying to solve Kate's problems for her. But then behind the polished facade there was something oddly vulnerable about Kate. She'd been Irene's private toy, hadn't she, all these years? What had that done to her?

"Should I tell the police about Irene's death being faked?" Kate asked.

"I can't make that decision for you," Clara replied promptly.

"I don't want to," Kate said, her chin going up. "I know she's...a criminal, and she's behaved terribly, but she was in genuine danger. I wouldn't want the CIA finding her again."

"It's not surprising you want to protect her," Clara said. She wished she could say something more helpful, but she couldn't come up with anything.

They sat silently for a while; Kate sipped her drink delicately, and Clara tried to keep her brain in gear and not just daydream about the feel of those soft, full lips on her skin. There was something more that Kate wanted to tell her, she felt sure of it. She saw that sometimes with her clients: that they'd talk for half an hour about one problem, and only at the last moment reveal what was really bugging them. Well, at least she wasn't charging Kate by the minute tonight.

"You said I needed to trust you..." Kate began at last, and then stopped, playing with her glass again, and asked: "Do you want another drink?"

"No, thanks," said Clara. She'd been wrong to think that alcohol would help, it never did. One more drink and she'd just feel miserable, she knew that. Then Kate looked into her eyes, and said quietly:

"Maybe...maybe you need to trust me as well. What was she like? The woman you've just broken up with?"

"How did you know?" Clara demanded, her anger surging up again. Kate flinched, and Clara automatically dropped her voice: "Have you been investigating me?"

"No," Kate said, "I guessed. I... Irene taught me how to spot things about people. Pick up on what they might like. You guessed right away I was Irene's lover, and when we went into the bar I saw the barman's face. He was pleased that you were with an unfamiliar woman. Not shocked or surprised. So gay, but not in a relationship."

"What made you think I'd recently broken up with someone?" Clara said, wondering if she looked that vulnerable. If her whole miserable history could be read by someone who'd been trained by Irene.

"No pictures on your desk at work."

"Maybe I've just never met anyone."

"No. Then there'd be pictures of your family, or your godchildren or something like that. You'd always find someone to love. That's just the way you are. But there was nothing." And then Kate smiled sadly at Clara. "And you understand what it's like to be hurt."

"Her name is Harry Watson and she is an alcoholic," Clara said, because it was easier getting out quickly, like ripping a plaster off a wound. "She left me just over a year ago."

"I'm sorry," Kate said, and now it was her hand coming to rest on Clara's. "I've seen people who've got into that spiral of drinking, and it's terrible. Especially if...if you remember how wonderful they were before."

"What makes you think Harry was wonderful?"

"There must have been something wonderful to make you stay with her, despite what she did," Kate replied simply.

"She was so alive," Clara said, and it was odd how easy it was to talk about it now. "She made things interesting, stirred things up. She was clever and funny and...and now that's mostly gone." Energy turned into destructiveness, wit into insults. Harry had resented growing up, settling down, that had been the real start of it. Thirty had been hard enough for Harry. Thirty-five and a civil partnership had been impossible.

"It's a mess, isn't it?" Kate said, and a tentative smile blossomed on her face. "Still, it's done now. Whatever I tell the police, I can't imagine they'll find Irene. And I presume Harry's not coming back, if her photos are gone."

"They're still in a drawer," Clara said. "But no, I'm through with her. I haven't the strength for any more of her dramas." It had almost been a relief when Harry had walked out, an act of cruelty that had finally snapped the threads of Clara's patience. To have the flat calmly quiet when she went home, not with the ominous quiet of: Has Harry passed out? If she's not here where has she got to?

Kate's smile was warmer now: "That's good. So where do we go from here?"

"You might be interested in...meeting again?" said Clara slowly. She didn't want to humiliate herself by taking it for granted.

"I meant should we go to your place or mine?" Kate said, and then those gorgeous lips formed themselves into an "O" of surprise, and she giggled, and said: "I've been with Irene too long, haven't I? Am I supposed to wait for a few more dates before I suggest sex?"

"Was tonight a date?" Clara asked warily and Kate's face clouded.

"I suppose...not really. Maybe this bit in the bar might count as a date? I haven't got that much recent experience. So what am I supposed to do?"

"What do you want to do?" Clara asked automatically.

"Go to your place?" Kate said, smiling again. "I've got a rather tacky bedsit and the bed's terribly rickety." And then she went on quickly: "There are three things I'm good at. Wearing clothes, office administration and sex. And you look as if you're up to date with your filing."

"I don't want to..." Clara began and then couldn't think how to finish the sentence. Because of course she wanted Kate, how could anyone not do? How could Irene have given this gorgeous woman up?

"It's too soon," she said at last.

"After more than a year?"

"I meant for you. You're still on the rebound. You're not over Irene yet."

"I want to get over her," Kate said quietly, and she wasn't smiling now. "And I can't think of anyone better to help me than you."

"I don't want either of us getting hurt." Clara didn't know how this would go wrong yet. She just knew that it would, the way things with any woman did now for her, since Harry. And this, in particular, couldn't be real.

Kate smiled sweetly: "Oh, that's OK. I'll be careful. And I don't need the kinky stuff."

"I didn't mean–" Clara began, and she could feel herself blushing. Kate's thumb insinuated itself beneath her hand, brushing at the inside of her wrist in a most disconcerting way. Then Kate leaned towards her.

"I know, but I'll look after you. I can make it good. If you'll trust me."

Clara could feel warmth, tension build in her body, the tickle in her groin that made her want to react. Why not take what was on offer? Not worry about the consequences, for once. Just explore the body of this alluring, experienced woman, who had doubtless been taught so much...And that's the real problem, isn't it, she realised abruptly. I'm worried I'll disappoint Kate in bed.

"I'm not Irene Adler," she said and it came out fiercely, defensively.

"Don't you think, under the circumstances, that's rather a recommendation?" Kate said, and then she leant forth even more, to whisper into Clara's ear, as her left hand traced its way a little further up the inside of Clara's arm.: "She doesn't believe in public demonstrations of affection. Thinks they're undignified."

Well, put it like that, Clara thought, and her mouth went out to press against those teasing, kissable lips, thinking muzzily: If anyone in the bar complains, I'll sue them for discrimination.

Kate's lips were cool, her mouth yielding softly, and Clara could taste the cherry vodka on her. Strange to kiss someone who'd been drinking and not be turned off, but she didn't worry about Kate and alcohol. She clearly wasn't a woman who needed to drown her sorrows. She shouldn't be thinking about Harry, she told herself firmly, as she broke away from the kiss.

But Kate just smiled and said: "It's OK. We've got plenty of time. If you would like to take me home, that is."

"Yes," Clara said firmly, because even if this was going to go wrong, she might as well have one great night first.

Part 5
marysutherland: (Kate)

BBC Sherlock

Rating 15 (femslash, references to alcoholism)

Spoilers for A Scandal in Belgravia

Summary: Irene's left Kate broke and heart-broken. Can Clara help her out?

Betaed by the wonderful blooms84

Part 1

"Be warned," Clara said as they went into Pommeroy's wine bar, "their vin ordinaire is extremely ordinaire."  )

Part 3
marysutherland: (Default)

BBC Sherlock

Rating 15 (femslash, references to alcoholism)

Spoilers for A Scandal in Belgravia

Summary: Irene Adler's escaped from London, but not everyone can escape her.

Betaed by the wonderful blooms84

Clara once got accused by Harry of being part of a gay legal mafia, which was ironic. Because if anyone needed to have a horse's head left in her bed as an awful warning, it was Harriet Watson. )

Part 2

marysutherland: (Sherlock in uniform)
BBC Sherlock

Rating 12 (het)

Spoilers: For Scandal in Belgravia

Summary: Irene knows what Sherlock really needs.

Irene guesses Sherlock's secret as soon as she spots the rumpled sheets in the Karachi hotel room.

"You're an insomniac," she announces. "Explains a lot."

"Does it?" Sherlock says dismissively.

"The pallor, the irritability. Why you stare into the fire for hours on end. You don't dream, so you use other techniques to unfocus your mind. Till you can spot the patterns that your conscious brain can't deduce."

"Sleeping is boring," Sherlock retorts. She smiles and yawns luxuriously, and his jaw twitches as he fights not to follow suit.

"You'd sleep well after sex," she says softly.

"Your solution to every problem," he sneers.

"Don't knock it till you've tried it."

It takes two hours before he's willing to get undressed, but she can be very persistent.

"Think of me as a distraction technique," she tells him. "Occupying just enough of your brain for it to relax." Her mouth and hands are slow, but relentless, trickling sensations into him.

"No hurry," she adds, when his body finally starts to strain after fulfilment, realises the possibilities it had missed. He gasps when he comes and then lies still, his eyes closed to avoid her gaze. Fine by her.  She wakes him up the next morning from a deep sleep, and smiles her most dangerous smile.

"That was fun. Now let's have breakfast."

marysutherland: (Sherlock in uniform)
BBC Sherlock

Rating: PG (implicit slash)

Spoilers: For A Scandal in Belgravia

A sequel to There May Be Trouble Ahead, and betated by the wonderful Blooms84.

Summary: Sherlock has saved Irene's life, but she isn't going to let him win that easily.

My companion flushed up with pleasure at my words, and the earnest way in which I uttered them. I had already observed that he was as sensitive to flattery on the score of his art as any girl could be of her beauty.  –  A Study in Scarlet, chapter 4.

Sherlock Holmes has just saved her life, and Irene's trying to work out what to do with him – do to him – next. )

Next story in the sequence: While we still have the chance.
marysutherland: (JHW B&W)

BBC Sherlock

Rating 12 (swearing)

Spoilers for Scandal in Belgravia. Note: this is the first of four linked stories, covering the events of all episodes of Series 2

Summary: Sherlock's just met Irene and John's not happy. Betaed by the unstoppable Blooms84.

He never spoke of the softer passions, save with a gibe and a sneer – A Scandal in Bohemia.

Lestrade simply can't resist taking a few photos on his phone of the incoherent Sherlock, as he reels around outside Irene Adler's house, explaining about deadly boomerangs to an imaginary audience.  )

marysutherland: (Wallpaper)

BBC Sherlock

Rating: 12 (sexism and implicit violence)

Spoilers for Scandal in Belgravia

The secret to defeating men is letting them think they're winning. Irene's known that since she was twelve, rewarding the boy who did her French homework with French kisses. She's given a lot of men a lot of pleasure since. And extracted an excessively high price in return.

Her safe comes with two combinations: originally, one would open it safely, the other would set off an alarm. Now, thanks to a gun expert who enjoyed Irene's version of Russian Roulette, the person who opens Irene's safe with the wrong combination will be shot.

No, the man who does. A woman might well be suspicious about Irene's combination supposedly being her vital statistics. Realise that there are days when even the most attractive woman doesn't want to be reminded that her body's not the perfect shape.

On the other hand, the two men who have forced her to reveal that her key-code is 32-24-34 have thought it funny and plausible that a woman – a sex worker – would be so vain. Though Irene had the last laugh, naturally, over their lifeless bodies.

For a clever man like Sherlock, there's the extra twist: letting him deduce the wrong combination himself. Though she does tip him the wink just before he opens the safe; she might yet want to make further use of that brain.


marysutherland: (Default)

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